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Musiktexte und Monographien aus Cambridge Reihe

Diese Reihe konzentriert sich auf die Geschichte der musikalischen Aufführungspraxis und die Entwicklung von Musikinstrumenten. Sie umfasst kommentierte Übersetzungen authentischer historischer Musiktexte sowie Fachmonografien zu verschiedenen Aspekten der historischen Aufführung und Instrumentengeschichte. Die Sammlung bietet tiefe Einblicke für Musikwissenschaftler und Enthusiasten.

Treatise on vocal performance and ornamentation
Musica getutscht
Music education and the art of performance in the German baroque
Treatise on Vocal Performance and Ornamentation by Johann Adam Hiller
Introduction to the art of singing

Empfohlene Lesereihenfolge

  • Introduction to the art of singing

    • 308 Seiten
    • 11 Lesestunden
    3,0(1)Abgeben

    Agricola published Introduction to the Art of Singing in Germany in 1757, consisting of the 1723 treatise of the Italian singing teacher and castrato, Tosi, to which Agricola added his own running commentary. The Introduction was recognized as invaluable not only for teachers and their pupils but also for advanced singers and professionals. This present edition, translated with introduction and annotations by the celebrated singer Julianne Baird, makes Agricola's work available for the first time in English. Tosi's work was the first basic treatise on singing; Agricola, a pupil of J.S. Bach at the court of Frederick the Great, brought Tosi's work "up-to-date." His commentaries are so extensive that the Introduction stands on its own as an important document in the history of performance practice.

    Introduction to the art of singing

  • Treatise on Vocal Performance and Ornamentation by Johann Adam Hiller

    • 212 Seiten
    • 8 Lesestunden

    This manual offers a significant exploration of vocal technique and performance practices from the eighteenth century, providing insights into the artistry of singing during that era. It serves as a crucial resource for understanding historical methods and approaches to vocal training, making it valuable for both performers and scholars interested in the evolution of vocal arts. The English translation enhances accessibility, allowing a broader audience to appreciate its teachings and historical context.

    Treatise on Vocal Performance and Ornamentation by Johann Adam Hiller

  • Music education and the art of performance in the German baroque

    4,0(3)Abgeben

    In considering the role of practical music in education this book explores the art of performance in Germany during the Baroque period. The author examines the large number of surviving treatises and instruction manuals used in the Lutheran schools during the period 1530-1800 and builds up a picture of the function and status of music in both school and church. This understanding of music as a functional art--musica practica--in turn gives us insight into contemporary performance of the sacred work of Praetorius, Schütz, Buxtehude or Bach.

    Music education and the art of performance in the German baroque

  • Treatise on vocal performance and ornamentation

    Hiller's Treatise on Vocal Performance and Ornamentation was published in Germany in 1780 and is an important manual on vocal technique and performance in the eighteenth century. This present edition, translated with an introduction and extensive commentary by musicologist Suzanne J. Beicken, makes the treatise available for the first time in English. With its emphasis on practical aspects of ornamentation, declamation and style it will be valuable to instrumentalists as well as singers and is a significant contribution to the understanding of performance practice in the eighteenth century.

    Treatise on vocal performance and ornamentation